Electric Fishwrap has moved

Colin Mulvany was undoubtedly tired after filming 12 hours of footage driving 300 miles to film a piece on a maggot farm for the Spokesman Review. But on the way back home, he spotted a plume of smoke.

I called it in and by the time I got back to the newspaper twenty minutes later the small brush fire had bloomed into a raging wild fire. I had already put in 12 hours on the maggot story, but that little voice told me this wildfire was going to be big news.

He put on his wild land firefighter gear (every reporter who expects to cover a fire someday should have some) and raced back to the scene. But he didn’t have a video camera with him (he’d left it at the office). Instead, he took a bunch of stills, one of which ran six columns across Friday’s front page.

I like how he thinks about all aspects of his job. Ideally if a reporter hears some great sound at their assignment, they could whip out their audio recorder, talk with the photographer (or take more photos if they are the photog) and lay the groundwork for Soundslides production.

I love the story behind the photo, which is not explained to the readers much in most newsrooms. He explains the composition and what makes the photo powerful. This gives the reader a deeper layer of understanding of what the photographer was thinking when shooting the photo or video.

Good job, Colin!

This entry was posted on Saturday, July 12th, 2008 at 7:01 am and is filed under multimedia, storytelling. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.